Great Turnout in the Park

On July 30, 2022, we presented another movies in the park show. We had over 200 people show up and it was a great show!


As many of you may know, I dedicate my shows to those itinerant projectionists, both men and women, who trooped film, music and equipment across the United States from the early 1900’s to the early 1930’s, bringing motion picture shows to small towns that didn’t have movie theaters. The itinerants sometimes never knew where they might have to do their show. It could be on a sheet hung on the side of an old barn with a beat up old piano. Or it could have been in a church with a pipe organ. 


The itinerants always used hand crank projectors because electric motors were heavy and expensive. Motors were not practical as they never knew what kind of voltage would be available. An arc light can use almost any voltage to work but motors run on specific filtered current. So they were hardly ever used in traveling shows. The entire show was hand cranked. The itinerant projectionist thought that he was a big part of the performance as he could speed up or slow down the action on the screen as he saw fit. 


Glass lantern slides were used to entertain the audience while the projectionist made reel changes. In this case Gary Gibson performs the lantern show of slides.


I was thinking about all of this as I drove my truck into the park. There I was met by Mike Lawler and Joanna Linkchorst from the Crescenta Valley Historical Society. Gary Gibson and Shane Glander (who provided the screen) were there as well. As I began setting up the projection equipment, I watched Shane Glander, Gary Gibson, Mike Lawler and others helping to erect the huge 12 by 12 foot screen. Members of the Historical Society were setting up the  popcorn machine and the tables for the sale of goodies. Cliff Retallick was setting up his piano along with the sound engineer Mike Dooley setting up speakers and the sound board. People were starting to arrive and find places to sit. There was excitement in the air as every one was doing their job and anticipating the moment when the first image would flicker to life on the screen!


All was finally ready. As I grabbed the crank on the projector, I looked up at the star lit sky and down at the assembled crowed with the giant dark screen before them. I thought that this is what it must have been like 100 years ago as I turned the crank on the 1906 projector and the magical image came to life on the big screen before us. 

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The show is sponsored by the Crescenta Valley Historical Society and L.A. County Parks Department. All monies from the sale of refreshments benefit the Historical society. The show is free. Subscribe to The Newsreel (Silent Cinema Society’s newsletter) and don’t miss any upcoming events.

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Do You Have
EXPERTISE in NON-PROFITS?

Joe Rinaudo, founder of Silent Cinema Society, is currently forming a non-profit which he calls SCAT —Silent Cinema Art and Technology — to fund the restoration and preservation of the actual machines and media of the silent era.

Advice and suggestions in the area of non-profits are most welcome. Contact Joe Rinaudo here.

Through Silent Cinema Society, which is comprised of you, the fans and supporters of silent cinema, Joe will continue to enlighten and entertain with The Newsreel newsletter; this Silent Cinema Society website; and hopefully soon, live shows where audiences are once again able to wear big hats that block the screen. SCAT, the non-profit, will also support Silent Cinema Society so that information and entertainment will continue to be presented to you, silent cinema fans. Lady, will you please take off that big hat!

SILENT historic cinema IN THE PARK

Audience watching show in park

Bring your blanket and grab some popcorn…

Silent Historic Cinema in the Park
Two Strike Park, La Crescenta, California
July 30, 2022
Show starts at 8:30 PM — arrive early!


Now that the pandemic has eased up even further, we’re back one year later, once again cranking the vintage 1909 moving picture machine in the park.


JULY 30, 2022 PROGRAM
features an evening of

HISTORIC SILENT CINEMA FIRSTS

Moving pictures projected from a reel of film was a marvel of technology in and of itself. But these particular films showcase the innovation and creativity within the medium. Not to be missed for silent cinema historians.

1896 “The Kiss”

The first official Edison film starring May Irwin

1898 “The Four Troublesome Heads”

The first trick photography film by Georges Melies

1907 “The Golden Beetle”

One of the first color films by Pathe

1916 “Behind the Screen”

The first pie fight of the silent era, starring Charlie Chaplin

1924 “Don’t Park There!”

A spoof of the model T Ford and parking problems in the big city, starring Will Rogers

1929 “The Battle Of The Century”

The last pie fight of the silent era, starring Laurel and Hardy

Also—

A very rare time capsule film of San Francisco just before the great quake and fire of 1906. Plus a Pathe news reel of the aftermath.


DATE: Saturday, July 30, 2022
TIME: Show starts at 8:30 pm. 
Arrive early to choose a space and enjoy a picnic.
LOCATION: Two-Strike Park
5107 Rosemont Ave., La Crescenta, California
BRING: Blanket and chair
…and a picnic basket if you wish.
Popcorn, baked goods, and refreshments available; donations appreciated.


Live Accompaniment
featuring Mr. Cliff Retallick at the piano

1909 Powers 35mm Moving Picture Machine
All film is 35mm and will be hand cranked on the 1909 Power’s Motion Picture Machine by Mr. Joe Rinaudo

Original Glass Lantern Slides
Hand-colored glass slides will entertain you during reel changes, projected by Mr. Gary Gibson, assistant to the projectionist

Screen provided by Mr. Shane Glander


The show is sponsored by the Crescenta Valley Historical Society and L.A. County Parks Department. There will be refreshments and popcorn provided by the Historical Society; all monies from the sale of refreshments will benefit the Historical society. The show is free. Bring your own chairs and blankets (and food if you wish).


Laugh, boo and hiss as you enjoy an evening of silent cinema, just like audiences who attended itinerant moving picture shows a century ago.

CH. 5: DAVE HARTMAN, MENTOR

Dear Reader:

My best friend and mentor Dave Hartman continues to feel much better, according to his wife Joanie. She attributes it to these stories, and I am truly humbled. Not only does he enjoy reliving our adventures, she says, but he is most delighted to share them with his daughters, who are fascinated to learn about their father’s mechanical ingenuity and how appreciated he has been by his colleagues and friends.

I am overjoyed that in my attempt to simply honor my best friend of forty-eight years. It has restored Dave’s spirit for life, and passion for tinkering. Joanie says it’s even put a bounce in his step.

It has been cathartic for me as well. I have learned many wonderful things from Dave over the years, and now he’s taught me something new, something profound: the importance of sharing memories with an old friend. It’s healing and heartwarming for everyone.

I deeply appreciate your coming along for the ride, *|FNAME|*. Here’s the next chapter about my best friend and mentor, Dave Hartman…

By Joe Rinaudo

Dave Hartman

CHAPTER 1  CHAPTER 2  CHAPTER 3  CHAPTER 4

Chapter 5

So, I removed the valve chest from my Fotoplayer and put it in my Model A. On the drive over to Dave’s house, I wondered just what we might find as the cause of the poorly performing valve chest. When I arrived at Dave’s he told me to bring the car around back to the “shop.” There I discovered a large garage crammed with a lifetime of projects.  What a wonderful and magical place!

I brought the valve chest inside and placed it on the bench. Dave said that I must disassemble it for inspection. I removed the top half containing the valves and exposed the pouches. The pouches are little air-tight discs of very thin leather that inflate (when a note is played on the piano) that push up on the valve, sending vacuum to a small pneumatic (bellows) that collapses it (when vacuum enters) and pushes down on a push rod which opens another valve that lets wind into the pipe which makes the pipe “speak.” This is how the piano roll plays the organ. It is all a very convoluted contraption! Dave noticed that the rubber valves were red, like silicone, and not black rubber like all other American Fotoplayers. I was quite proud of these silicone valves as they were my secret weapon to make my valve chest play better than ever. Dave asked where I got these made.


Joe's first piano restoration

Here I am in 1970 with the first player piano I had rebuilt for a “customer.” The $300 profit helped me purchase my Fotoplayer, and the accomplishment gave me the confidence to try and restore it. Little did I know that a few years later Dave Hartman would show me the right way!


I told him that a friend of mine, Mr. Frank Cermack, had found a style 40 American Fotoplayer in the Optic theater in downtown Los Angeles. We had become Fotoplayer friends. He had given me just enough information about “restoration” to make me dangerous! Frank worked in the Skunkworks at Lockheed Aircraft as a tool and die maker. (The skunkworks was a top-secret department where things were built for the military.) Frank would never speak of what went on over there. Well, Frank had made molds and a set of valves for his Fotoplayer out of some very expensive military grade silicone. He did this on his lunch hour with extra steel for the molds and left-over silicone. (At least that is what he told me.) I was quite proud to have a set of these valves in my valve chest! Thinking all that was necessary for a great working valve chest were these government-sponsored valves.

Dave took one look at the pouches and said “This is all crap! Rip out the pouches and seal the wood!” I was horrified to hear such a diagnosis! Fotoplayer had pressed little trim rings around each pouch. I had very carefully removed these rings in an attempt to seal the pouches, and very carefully replaced them. Dave said “That’s unnecessary crap! Throw those worthless rings out!” I was very sad to see all of my hard work go into the trash can! Dave explained that the leather from the 1920’s had shrunk and was leaking, which causes the valves to also leak. Alas, the best laid plans of mice and me. Another big problem was the wood that the chest was made from, was seeping vacuum through to the next valve, and all of those air channels must be cleaned and sealed before replacing the pouches. I realized that the “Doctor” had spoken and was not sure what might happen next. Dave very patiently walked me through the steps for the proper restoration of the poor old valve chest.

After a few days my worst fears were allayed. The valve chest was working perfectly! Skunkworks valves and all.

The next thing was the pipe wind chest with all of the little pneumatics that make the organ play. I had tried to seal them and clean the little pushrods and pipe valves with talcum powder. Dave said “You’re really good at putting lipstick on a pig!” Dave showed me how to recover the pneumatics and rebuild the organ valves (which were made of felt and leather). He showed me how to seal the cracks in the wood to make the wind chest tight.

Joe with his Model A

Joe’s 1929 Model A Ford

All of this took several weeks and trips to his shop with my Model A. On one such occasion I was driving the Model A to Dave’s shop with another of the Fotoplayer projects when one of the most embarrassing moments of my life was just in the road ahead. I was tooling down at a pretty fast clip for a Model A (about 40 miles per hour!) when I entered a very large intersection which had some kind of a very sharp bump in the pavement. When my front wheels hit the event horizon of this Marianas Trench, I felt my front end come up off the ground with a resounding bouncing crash as I arrived back on earth. The car jumped up again as if I had run over something. As the car bounced back to the road, I heard an awful loud chugging sound as if I had no muffler! In my rear view mirror I saw that my muffler was skidding into the middle of the intersection. This now had stopped all traffic! So I pull over, out of the intersection, turned off the chugging beast and quickly opened the rumble seat to accept the muffler. As I ran back into the middle of the intersection (with car horns honking) my only thought was to get my muffler out of the way so as not to cause an accident and further damage to my muffler. As I grabbed the muffler, I suddenly realized that this was not the thing to do as it was red hot! I then screamed and threw the muffler straight up in the air. I began shaking my burned hands wildly and managed to just barely dodge the falling muffler! Now I can hear people in two of the nearby gas stations laughing and knew I had fingers pointing at me. Amid the honking horns and laughter, I hastily kicked the muffler back to my car, grabbed a rag and threw the offending muffler into the rumble seat. With that I took off with a thunderous roar!

When I finally arrived at Dave’s shop, He just looked at me with a muffler sticking out of my rumble seat and a car that sounded like a Harley on steroids, and said “What have you done now? I heard you several blocks away!” When I told him of my harrowing adventure, Dave said he was sorry that he had missed that. I then wondered how I was going to get home as part of my exhaust manifold had broken off and was still clamped on to the muffler! A friend had welded the manifold for me and he assured me that it would not break. Dave said “Your friend needs to go back to welding school.” What happened next was one of the magical things about Dave’s shop, which seemed to have anything you needed. In no time at all Dave had found a Model A exhaust manifold and the gasket set for it. This exhaust manifold was warped and that’s why he wasn’t going to use it on his Model A. Dave said “It’s always good to have spare parts for your old car.” Dave finds a big chunk of steel under one of his benches. He said, “We will have to surface sand this manifold so it is flat again.”  We put the heavy chunk of steel on a bench and taped sandpaper to it. Dave held one end of the manifold and I was on the other. We slowly slid the manifold back and forth (which seemed like an eternity). Soon we had the old manifold as flat as can be! We bolted it all up and got the old girl running! 

I thought that I would someday love to have a shop like Dave has. Little did I know that I had a lot more to learn at Dave’s shop.

To be continued…

Press to leave a comment.


Do You Have
EXPERTISE in NON-PROFITS?

Joe Rinaudo, founder of Silent Cinema Society, is currently forming a non-profit which he calls SCAT —Silent Cinema Art and Technology — to fund the restoration and preservation of the actual machines and media of the silent era.

Advice and suggestions in the area of non-profits are most welcome. Contact Joe Rinaudo here.

Through Silent Cinema Society, which is comprised of you, the fans and supporters of silent cinema, Joe will continue to enlighten and entertain with The Newsreel newsletter; this Silent Cinema Society website; and hopefully soon, live shows where audiences are once again able to wear big hats that block the screen. SCAT, the non-profit, will also support Silent Cinema Society so that information and entertainment will continue to be presented to you, silent cinema fans. Lady, will you please take off that big hat!

Preserving Silent Cinema Art and Technology